Branches of Discourse Analysis


Branches of Discourse Analysis

1.     Critical Discourse Analysis
Critical Discourse Analysis (CDA) is the important thing, because Important Aspects of Text comprehension is the identification of topics from the discourse.

        Critical Discourse Analysis (CDA) is an analysis From Critical Perspectives WITH the  referring Knowledge, thus able to speak a review Discourse analysis 'attitude'. Critical Discourse Analysis (CDA) focuses on social issues, and especially, on role hearts Discourse Production and Reproductive abuse or  Domination Power.

        Critical discourse analysis is a contemporary approach to the study of language and discourses in social institutions. Drawing on poststructuralist discourse theory and critical linguistics, it focuses on how social relations, identity, knowledge and power are constructed through written and spoken texts in communities, schools and classrooms. This describes the historical contexts and theoretical precedents for sociological models for the study of language, discourse and text in education. It then outlines key terms, assumptions and practices of critical discourse analysis. It concludes by describing unresolved issues and challenges for discourse analysis and sociology of education.



The Expert and The Art  of  CDA
*      “Beyond description or superficial application, critical science in each domain asks further questions, such as those of responsibility, interests, and ideology. Instead of focusing on purely academic or theoritical problem, it starts from prevailing social problems, and thereby chooses the perspective of those who suffer most, and critically analyses those in power, those who are responsible, and those who have the means and the opportunity to solve such problems.” (van Dijk, 1986: 4)


*      “To Draw consequences for political action from critical theory is the aspiration of those who have serious intentions, and yet there is no general prescription unless is the necessity for insight into one’s own responsibility.” ( Horkheimer quoted in O’Neill, 1979)
*      “A fully ‘critical’ account of dicsourse would thus require a theorization and description of both the social processes and structures which give rise to the production of a text, and of social structures and processes within which individuals or groups as social historical subjects, create  meanings in their interaction with texts.”  (Fairclough and Kress, 1993)





          2. Stylistic  Analysis
          Stylistics and Stylisticians
*               "[A]t many levels, interdisciplinarity study is what stylistics is designed to do. As stylistician Paul Simpson writes, 'stylistics is a method of textual interpretation in which primacy of place is assigned to language' (2004, p. 2). Stylistics thus still carries the methodological genes that it has inherited from its forbear, rhetoric. Its very purpose is its application to textual data, and its strength lies in its potential for such application. . . .

*      "A stylistician can arguably be viewed as a kind of empirical or forensic discourse critic: a person who with his/her detailed knowledge of the workings of morphology, phonology, lexis, syntax, semantics, and various discourse and pragmatic models, goes in search of language-based evidence in order to support or indeed challenge the subjective interpretations and evaluations of various critics and cultural commentators. Imagine a kind of Sherlock Holmes character who is an expert grammarian and rhetorician and has a love of literature and other creative texts."(Michael Burke, The Routledge Handbook of Stylistics. Routledge, 2014)

*      "Stylistics, traditionally known as the study of literary texts using formal linguistic tools, can also be done via sophisticated computer-based applications. Some stylisticians quantitatively analyse large amounts of data and texts, not possible otherwise, and thus can provide answers to questions such as what is Dickens' writing style in his novels or how can one state, solely on the basis of textual evidence, that Milton or Shakespeare's works are historically arranged?"(Saumya Sharma, “Language Wise.” The Times of India, July 8, 2013)

Aims of Stylistic Analysis
"Stylistic analysis, unlike more traditional forms of practical criticism, is not interested primarily in coming up with new and startling interpretations of the texts it examines. Rather, its main aim is to explicate how our understanding of a text is achieved, by examining in detail the linguistic organization of the text and how a reader needs to interact with that linguistic organization to make sense of it. Often, such a detailed examination of a text does reveal new aspects of interpretation or help us to see more clearly how a text achieves what it does. But the main purpose of stylistics is to show how interpretation is achieved, and hence provide support for a particular view of the work under discussion. . . . [T]he 'news' comes from knowing explicitly something that you had only understood intuitively, and from understanding in detail how the author has constructed the text so that it works on us in the way that it does."(Mick Short, "Understanding Conversational Undercurrents in The Ebony Tower by John Fowles." Twentieth-Century Fiction: From Text to Context, edited by Peter Verdonk and Jean Jacques Weber. Routledge, 1995)

Reference:
https://pages.gseis.ucla.edu/faculty/kellner/ed270/Luke/SAHA6.html
http://grammar.about.com/od/rs/g/Stylistics-term.html


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